Kristen Wiig’s New Women-Led Comedy Withdraws From Georgia Following Abortion Legislation

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In response to the recent passage of Georgia’s “heartbeat bill,” which bans abortions once a heartbeat is detected, Kristen Wiig and her co-writer, Lisa Johnson, have decided to pull their upcoming comedy, Sunny and Star Go to Vista Del Mar, from filming in the state. This decision comes amid significant backlash against the law, which has been met with financial boycotts from many in the entertainment industry.

The “heartbeat bill,” signed by Governor Brian Kemp in early May, has stirred considerable unrest among actors and directors who are using their platforms to protest against restrictive abortion legislation. By choosing not to film in Georgia, Wiig and Johnson send a clear message prioritizing women’s rights and autonomy, emphasizing that women deserve to be treated as individuals with agency and dignity.

Sunny and Star Go to Vista Del Mar, produced by the same company that brought us the beloved Bridesmaids, chronicles the adventures of two Midwestern friends on their first vacation to Florida, where they encounter a series of unexpected escapades, romance, and even a murder mystery. With Wiig starring alongside Johnson, the film’s withdrawal from Georgia highlights the importance of women-led narratives, particularly in the face of restrictive laws.

Georgia has emerged as a leading hub for film and television production, thanks to its substantial tax incentives. However, the recent trend of enacting stringent abortion laws in various states, including Alabama and Louisiana, threatens to impact the local economy significantly. Many filmmakers, including notable figures like Ben Davis and Ava Greene, have expressed their intentions to cease productions in states that enact such laws, advocating for women’s rights in the process.

Governor Kemp has dismissed the concerns of what he termed “C-list celebrities,” asserting that the law aims to protect life. However, this stance may not resonate well with industry figures like David Warner and Sarah Cooper, who have publicly opposed the legislation.

Amidst this backdrop, other filmmakers, including J.J. Adams and Leah Fisher, have pledged to donate their earnings to organizations like the Georgia chapter of the ACLU, which are actively working against anti-abortion measures. Chris Escobar, the Atlanta Film Society’s executive director, has noted that the film industry transcends political divides, emphasizing its economic significance for local communities.

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In summary, Kristen Wiig and Lisa Johnson’s decision to withdraw their film from Georgia in protest of the “heartbeat bill” epitomizes the growing trend among filmmakers to advocate for women’s rights. By making a financial stand against restrictive legislation, they underscore the importance of prioritizing women’s autonomy in the entertainment industry.