When I first tuned into “Sex and the City,” I felt a connection with Carrie Bradshaw. Like her, I’m a hopeless romantic, a writer, and someone who believes in the goodness of people. Before I got married, I too was often in relationships, much like Carrie.
However, there are distinct differences between us—particularly regarding our social circles and backgrounds. As HBO prepares to roll out its reboot of “Sex and the City,” I hope to avoid seeing mere “diversity for diversity’s sake.” Remember the film “Sex and the City 2”? The cast’s trip to Abu Dhabi was an unflattering display of their privilege.
While I watch (or at least I did) “Sex and the City” for its humor, raunchiness, and romantic optimism, I must point out a glaring absence from the original cast: diversity. In this new iteration, the three central characters (now minus Samantha) must broaden their perspectives on what it means to be a person of color in New York City—especially in light of the current racial climate and the ongoing push for social equity.
As Charlotte, Carrie, and Miranda embark on a fresh chapter in their lives, our nation will also be navigating the early months of President Joe Biden’s administration. It’s essential to consider how the writers will introduce new characters into the mix.
Let’s have another character like Louise, Carrie’s assistant played by Jennifer Hudson, but with a well-thought-out role. The new diverse characters should have depth and meaningful storylines that resonate with viewers. The writers and producers must step outside their comfort zones, which have primarily catered to white, privileged women in relationships with wealthy men.
While there have been hints about the reboot’s diversity, the true representation will only become clear once the characters are on-screen this fall. We cannot rely on tokenism, such as Charlotte’s daughter being the only Asian character. The show must reflect the rich tapestry of interracial relationships and the complexity of the LGBTQ+ community, moving beyond the stereotype of the flamboyant gay man.
The three remaining lead characters, who are part of the privileged elite, need an awakening. Living in New York City means they cannot remain insulated from the realities of diverse life experiences. The writers must muster the courage to confront these issues head-on.
Reports suggest there will be two new characters: a “strong, powerful African-American woman” and another from “an Asian background.” But what does that even truly mean? The reboot has the opportunity to tackle pressing social matters, especially around representation.
Historically, “Sex and the City” has struggled with authentic diversity. The writers must take this moment seriously and commit to reflecting the true diversity that America embodies. They should learn from industry leaders like Shonda Rhimes or Ava DuVernay to gain insight into how to portray these narratives more accurately.
Ultimately, we all have something to learn from one another, and this journey can begin through the lens of the new “Sex and the City.” I’ll be watching to see how it unfolds.