Recently, rapper Lil Nas X unveiled the highly awaited video for his track “Montero (Call Me By Your Name).” The 21-year-old artist had been teasing this release for months, and it certainly lived up to expectations. While many are celebrating the video, others are expressing their outrage. It would be refreshing if people could simply keep their extreme opinions to themselves and allow artists the freedom to express themselves.
In the video, Lil Nas X employs Christian themes such as the story of Eve and the serpent, Heaven, Hell, and the Devil. Understandably, this has sparked outrage among some Christians who feel their sacred imagery is being misused for social commentary. Many are claiming they’ll never support his music again due to their offense. It’s ironic how a group that often criticizes “cancel culture” is quick to cancel an artist who challenges their beliefs.
It’s intriguing to observe how some who identify as Christian selectively use their faith to suit their agendas. They often ignore wrongdoing within their own ranks but are quick to condemn a young Black artist for creatively expressing himself. Where do they draw the line? It seems they are more concerned with deflecting from real issues than addressing genuine concerns. As someone who isn’t religious, I’ve witnessed a lot of manufactured moral outrage, and this instance is no different.
Lil Nas X’s use of religious imagery in the “Call Me By Your Name” video serves as a means to reclaim a narrative that has historically ostracized the LGBTQIA+ community. Many Christians actively target this community, yet numerous individuals within it still identify as Christian, despite facing exclusion. Consider the emotional toll of growing up in a faith community that labels one’s identity as sinful.
Lil Nas X’s decision to incorporate iconic Christian symbols in his video is a powerful statement. Black Christians often grow up hearing that being gay is the worst sin, creating a conflict between their faith and identity. In a recent interview, Lil Nas X shared, “I grew up in a pretty religious kind of home—and for me, it was fear-based very much. I want kids growing up feeling these feelings, knowing they’re a part of the LGBTQ community, to feel like they’re O.K. and they don’t have to hate themselves.”
When Lil Nas X performs, embracing his identity by giving a provocative performance, he reflects the struggles faced by LGBTQIA+ individuals who have long been marginalized. If society assumes he’s going to Hell for being true to himself, he chooses to embrace that narrative and enjoy it. His impressive pole dancing skills add to the artistry of the moment.
Critics argue that because “Old Town Road” had mass appeal among children, Lil Nas X should cater to a younger audience. However, if you’re looking for children’s music, there are plenty of alternatives. He’s a mainstream artist who has created a popular song, but that doesn’t mean he should censor his work for an unintended audience. Mainstream musicians don’t create exclusively for children, and we need to stop expecting them to.
As a parent to a seven-year-old, I understand the concern. My son enjoys Lil Nas X’s music, but I’ve introduced him to a variety of songs to help him see the artist as more than just one hit. He knows that the artist he admires is also part of the LGBTQ community. While we haven’t watched the “Call Me By Your Name” video yet, he loves the song and will likely enjoy the visual storytelling because of his love for fantasy.
Moreover, representation matters. Young queer individuals deserve to see artists who reflect their identities. Lil Nas X’s openness about his past resonates with many, especially Black queer kids who face unique challenges in navigating their identities within religious contexts.
Ultimately, Lil Nas X is an artist, and he has the right to express himself as he sees fit. While some may disagree with his methods, it’s essential to reflect on why that is and not merely place the blame on him.
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In summary, Lil Nas X’s artistic choices reflect a broader conversation about identity, representation, and the challenges faced by marginalized communities. He should not be held accountable for the discomfort of those who feel threatened by his expression.