March 15, 2021
The 2021 Academy Award nominations have been announced, and the moment has arrived for a collective celebration. This year’s nominations mark a significant milestone as it is the first time in nearly a century that two women have been nominated for Best Director concurrently. Notably, one of these groundbreaking nominees is a woman of color, making this achievement even more historic.
While it’s commendable that Emerald Fennell for Promising Young Woman and Chloé Zhao for Nomadland are being honored, it raises the question of why the entertainment industry is only now recognizing the contributions of female directors after 93 long years. Their achievements are indeed worthy of praise, but the fact that it took so long to reach this point calls for a deeper discussion about the Academy’s long-standing history of exclusion.
We can’t help but recall the uproar back in 2016 when Leonardo DiCaprio‘s supporters argued he was overdue for an Oscar. The media was ablaze with anticipation—would he finally receive the recognition he deserved? The sense of entitlement was palpable, overshadowing the fact that many talented actors, including Samuel L. Jackson and Glenn Close, have yet to win an Oscar despite their impressive careers.
It’s important to highlight that while Jane Campion was nominated for Best Director in 1994 for The Piano, she did not win. This highlights a pattern where numerous critically acclaimed films directed by women have been overlooked for the Best Director category:
- A Beautiful Day in the Neighborhood by Marielle Heller
- The Farewell by Lulu Wang
- One Night in Miami by Regina King
- Hustlers by Lorene Scafaria
- Marie Antoinette by Sofia Coppola
- Little Women by Greta Gerwig
Despite this year’s historic nominations, we must remember that the Academy has a long way to go in truly embracing diversity and equality in filmmaking. Additionally, other noteworthy nominations this year included Yuh-Jung Youn as the first South Korean actress nominated for Best Supporting Actress for her role in Minari, alongside Steven Yeun’s nomination for Best Actor in the same film. The late Chadwick Boseman also received recognition for his performance in Ma Rainey’s Black Bottom, with Viola Davis nominated for her role in the same movie.
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In summary, while we celebrate the historic nominations of two female directors at the Academy Awards, it also serves as a stark reminder of the long-standing issues of representation in the film industry. Progress is being made, but more work is necessary to elevate diverse voices in filmmaking.